Featured Senior: Bobby Simons

"Don’t be afraid to explore and find new things! Join clubs, do extra-curricular activities, and participate in everything you can." - Bobby Simons

By Natasha O'Hara

Tell us a little bit about yourself and what sorts of things you’ve been involved in at IUSB.

I am a double major in English and Theatre at IU South Bend. With IU South Bend’s Theatre Department, I have acted in 5 plays, was a member of the stage management crew for 2 plays, and directed 1 play. I also was a part of 2 student-made productions, one of which I wrote, directed, and acted in. 

As for the English half of my major, I have of course submitted several stories and scenes to IU South Bend’s Analecta, some of which I’ve even won awards for. I have also written reviews for the Wolfson Press. I am also a member of the Film Studies Club, and will be participating in their upcoming trip to Los Angeles where we will tour the city and interview screenwriters. 

Outside of that, I have also served as a peer mentor for both FYS and the Guided Pathways Academy, in addition to being a part of the Honors Program. 

What inspired you to pursue both of your degrees?

I’ve always loved language and finding ways to use it. Theatre is a great outlet for creativity, allowing me to collaborate with others to make real something that isn’t, and in general is just a fun activity to do with friends! Theatre and English go hand in hand, as through the study of language, one learns to communicate, while the main purpose of theatre is to communicate something. By combining these two degrees, I have learned not only how to tell stories, but how to create them. 

How has your understanding of literature and language evolved since starting college? What aspects of English do you hope to continue exploring after graduation?

Throughout college I have come to understand the versatility of literature and language, and its practical applications. When starting out, I was always told that finding a solid career with my given choice of major was unrealistic. At the time, I admit that I conceded they were probably right, but didn’t care because the most important thing for me was doing what I was interested in. After four years of college; however, I’ve realized that writing is not reserved solely for entertainment, but truly we rely on language to survive. Following graduation, I hope to explore all avenues of writing, from creative to professional.

Can you share a memorable experience from your time at IUSB?

One time, in a dance class my sophomore year, we had a push-up contest and I won. I was given some Peeps as a reward, but didn’t eat them because I think Peeps are kind of gross, so I gave them to a friend. They thought Peeps were gross too, but there was nothing they could do about it.

What advice do you have for current students?

Don’t be afraid to explore and find new things! Join clubs, do extra-curricular activities, and participate in everything you can. You don’t make friends and/or lasting connections through classes alone, or well I’ve heard some people do, but I don’t think those people are real. Especially for those who commute, getting involved on campus is the easiest way to make friends. In short, if you’re not willing to go out of the way for anything, the best you’re going to get is the bare minimum.

Can you tell us about any favorite classes? Are there any professors that have been an influential part of your academic career?

I think some of my favorite classes included: Jazz Dance, Costume Crafts, Computer Art and Design I, and Screenwriting. I don’t think I’ve had a single professor who hasn’t had some kind of impact on me, and they have all influenced me in distinct ways. Those who have had the most specific influence include Aimee Cole, whose flexibility and inventiveness have made class in the costume shop comfortable despite my intense fear of sewing machines; Karen Pajor, whose unrivaled positivity and energy is contagious in all the best ways; Kelcey Ervick, who is a great creative writer and a great teacher of creative writing (and no, I’m not just saying that because I know she will be reading this); and finally Elaine Roth, who has set up so many great opportunities for me as a student and someone interested in screenwriting.

What are your plans for after graduation?

Great question. As mentioned, I will be going to Los Angeles with the Film Club, and I am also taking a study abroad trip to Germany this summer. I am super excited for both of these trips, especially considering I really haven’t traveled at all since I’ve been in college. After that I plan to take some time to do pretty much anything but school for a while, as that school has pretty much defined my whole life for the past 15 years. When the time is right, unless I’ve found something else I like, I’ll plan on continuing my education by pursuing a masters degree in English. In any case, I’m more than optimistic for whatever my future holds!

Is there anything that you would’ve changed or done differently given the opportunity?

For a while I was interested in getting a minor in Spanish. I enjoy learning languages, and thought it’d be a good idea to add that to my degree, but to do so, I would have had to take on a ridiculous course load each semester if I still wanted to graduate on time, and so it wasn’t really feasible. Thinking about it, I guess then since minoring in Spanish wasn’t possible, it doesn’t truly answer the question, as I really couldn’t have done anything differently there. On second thought, what I would’ve done differently is not get Peeps after winning the push-up contest. 

What inspired you to write bland theft, and did you plan on changing the name for the full one act, or did that come later?)

I was inspired to write the scene in question, and the full one act as a whole by various sources. I wanted to combine comedic and dramatic elements to tell a story that was equally absurd as it was sympathetic. As for the name change from Odd One Out (the name of the original play), that was to avoid breaking any rules for Analecta submissions. I had tried to do a lot of advertising for Odd One Out as I was preparing to have it performed, and my name was very clearly attached to it. Given that Analecta selections are supposed to be made anonymously, I decided to change the name in the effort of preserving anonymity. Bland Theft was simply the first alternate title I came up with.

What does the English excellence award mean to you? 

I am incredibly honored to receive the English excellence award! I am so grateful to this department for everything it has instilled in me as a student of English literature and writing. This award is a great source of validation, and something I will cherish as I look back on my time here.

Student Writing Awards 2024: An Interview with Missy Hatfield

Missy won first place in the Graduate Non-Fiction category for her piece “Legacy: A Life in Ten Items or Less.” Congratulations, Missy!

INTERVIEWED BY AUBREN KUBICKI

Student Awards winner Missy Hatfield

What does winning this award mean to you?

I feel very honored to receive this award. The support and encouragement of the IUSB writing community has been very inspirational as I complete the requirements for my degree and pursue my writing goals.

How would you describe your writing? What themes, ideas, styles do you find recurring throughout your work?

My nonfiction writing centers around my family and everyday life here in the Midwest. I recently dipped my toes into fiction writing when I took Dr. Ervick’s Start Your Novel class. There I began working on a novel that explores themes of life and loss and what literature means to readers. I’m excited to continue work on that project and see where it takes me.

Who are some of your favorite authors? Do you see these authors as influencing your writing?

There are so many amazing writers and so little time to read! Some of my favorite contemporary writers include Jodi Picoult, Kate Quinn, Ariel Lawhon, Barbara Kingsolver, and Ken Follett. In an effort to expand my reading horizons I have recently read some fantasy works by Rebecca Yarros and TJ Klune. And I will always be a fan of classic writers such as Charles Dickens, Jane Austen, Bram Stoker, and Toni Morrison. Everything I read helps me to see new ways of structuring plot or using language that I hope enrich my own writing.

What is your writing process like?

Panic and prayer? Just kidding, I have never been very good at outlining. I usually have to “write my way in” to a topic. So, once I settle on an idea I just try to get my fingers on the keyboard as much as possible and see what comes out. After I get some thoughts on the page I like to read back through and see what could be cut and what threads are emerging that I could build on to produce a finished piece. And, like most writers I go through a “this is great – actually this is awful what was I thinking” stage pretty consistently.

How did this particular piece come about? What was your inspiration?

“Legacy: A Life in Ten Objects or Less” grew out of an assignment in Dr. Mattox’s Prose Style Workshop class. The feedback I received in the workshop from my amazing classmates helped me to polish the essay into what it is today.

Student Writing Awards 2024: An Interview with Jessica Kado

Jessica won first place in the Graduate Fiction category for her piece “Faith No More.” Congratulations, Jessica!

INTERVIEWED BY AUBREN KUBICKI

What does winning this award mean to you?

Winning this award is an honor because I’m being recognized by a working artist who sees potential in my writing.

How would you describe your writing? What themes, ideas, and styles do you find recurring throughout your work?

I’m always exploring existence. It’s in everything I write. Comedy or drama. That and anything that transcends time or space. Universal truths. Women trying to be problem solvers.

Who are some of your favorite authors? Do you see these authors as influencing your writing?

Brit Marling. It’s all I can think of right now. She and her writing partner think beyond a linear idea. It’s magic.

How did this particular piece come about? What was your inspiration?

My husband and I spent time at a property near the site of the murder and cult. We’ve been obsessed with it all for years. Then I started to obsess about the women and their lives at the time. After getting to know the culture of the town I decided this made sense.

Student Writing Awards 2024: An Interview With L.A. Culver

L.A. Culver (Lindsey Les) won Second Place in the Undergraduate Fiction category for her piece, “Vessels”.

by Robin Dubree


What does winning these awards mean to you?
I’m honored, I have never won any sort of award for my creative writing before. I was very excited to receive the news that I won something.

How would you describe your writing? What themes, ideas, and styles do you find recurring throughout your work?
I write a lot, whether it’s fiction, poetry, or academic writing. For poetry my style is a blend between contemporary and 19th century. I’ve always preferred the structure and music of 19th century/Victorian poetry over contemporary. So, in order to write what I wanted and remain appealing I blended the two together. For my prose I typically go for the more modern take where I try not to info dump on every page and have characters speak normally rather than go off on these strange monologues. When it comes to fiction, I don’t particularly enjoy writing contemporary and prefer [genres] like fantasy, science fiction, gothic, and horror.

What are some of your favorite authors? Do you see these authors as influencing your writing?
For poetry my favorite is Emily Dickinson. She was the one who got me writing poetry and her style is so often reflected in my own poems. For prose, it is difficult to choose just one. The two I go for most often are J.R.R. Tolkien and George R.R. Martin just because they wrote my two favorite fantasies out there. However, if I had to choose an author (or in this case a duo of authors under one name) who influences me the most, it would be James S.A. Corey. They have some of the most well written characters out there in their science fiction series The Expanse.

What is your writing process like?
I wouldn’t say I have much of a process. For my bigger projects like my science fantasy series and high fantasy series, I write outlines since they are eventually going to become books. For poetry the words just come to me. I believe I wrote my poem “Lungs” that made it into Analecta in about ten or so minutes because the words would not stop coming to me. I did not outline “Vessels”, but it was improved thanks to my three beta readers.

Can you talk about one of your pieces a little; how did this particular piece come about? What was your inspiration?
“Vessels” is a gothic/horror short story that follows around a female personification of death. I got the idea for the story after listening to the song “Oh Death” by Jen Titus. I was originally going to write a poem about a personification of death, but I figured it would make a better short story.

My job is not done, it is never done; sometimes clocking out is not an option. I work rain, shine, during hurricanes and volcanic eruptions too. There are no snow days; I am busiest when the roads are coated with ice. I am what some wish to avoid and what others seek, but it is not truly up to you whether I come or not. Fate is the plan that destroyed God and fate is my supervisor who determines when I pay you a visit. You won’t always see me, but when you do, take comfort. You will breathe easier once your vessel is emptied.

Excerpt from “Vessels”

Announcing the Winners of the 2024 Student Writing Awards

Congratulations to this year’s winners of IUSB’s 2024 Student Writing Awards! Submissions were first screened by English department faculty, with final selections made by this year’s judge, Jennifer Oakes. Oakes is a poet and novelist who has won several awards for her work, including the Four Lakes Prize in Poetry (for her book The Declarable Future) and the Brittingham Prize in Poetry (for The Mouths of Grazing Things). Awards Night will take place this Thursday, April 18th, in Wiekamp Hall 1001. A reception begins at 5:30 and the awards ceremony and poetry reading by Jennifer Oakes begins at 6:00 PM. The 2024 edition of Analecta, IUSB’s student literary magazine, will also be revealed during the event.

Undergraduate Poetry
First Place: Madi Bandera, “A Cosmic Poem for My Father”
Second Place: Robin Dubree, “To Make Your Bed and Lie in It”
Third Place: Robin Dubree, “Apprehension is My Middle Name”
Honorable Mention: Madi Bandera, “My Mother Was Born From A Star”
Honorable Mention: Jacob Nava, “Humans”
Honorable Mention: Jacob Nava, “Late Fall”
Honorable Mention: JeniSue Teegarden, “Infected”
Honorable Mention: Robin Dubree, “Sand Castle, Erased by the Tide”

Undergraduate Fiction
First Place: Jessie Jimenez, “The Mortician”
Second Place: Lindsey Les (L.A. Culver), “Vessels”

Undergraduate Nonfiction
First Place: Alexis Martin, “Crumbs”
Second Place: JeniSue Teegarden, “Cows Have Teats”

Undergraduate Drama
First Place: Bobby Simons, “Bland Theft”

Graduate Poetry
First Place: Amanda Jones, “Maybe Today”
Second Place: Brooke Plummer, “A Tilted Earth”
Third Place: Babu Sarker (Fr. Pascal), “The Meaning in Nothingness”
Honorable Mention: Jo Hackett, “Big Brothers”

Graduate Fiction
First Place: Jessica Kado, “Faith No More”
Second Place: Candice Slovinski, “Self-Love”
Third Place: Babu Sarker (Fr. Pascal), “The Storyteller”
Honorable Mention: Jo Hackett, “The Bowling Story”

Graduate Nonfiction
First Place: Missy Hatfield, “Legacy: A Life in Ten Items or Less”
Second Place: Andrea Meyer, “The King”

Student Writing Awards 2021: An Interview With Amy Martin

Amy Martin is a graduate student at IUSB and won two awards in this year’s Student Writing Awards: First place in graduate poetry titled, “Pysanky and Pandemics,” and first place in graduate comics “April 2020.” Learn more about her in this short interview and join us in congratulating her on her well-earned awards!

INTERVIEWED BY NATALIE DANIELS
Student Writing Awards winner Amy Martin

What does winning this award mean to you? 

This award is a tremendous honor! I have had the pleasure of meeting so many talented writers and authors in this program. I enrolled in the MA program, hoping to learn more about the craft of writing, and this award is a result of being part of such a fantastic writing community! 

Is this your first time having your work published? If not, then where else can we find your work? 

I’m honored to have my poetry and graphic essay published in the 2021 edition of the Analecta. I also had pieces published in the Analecta from 2020 and a short story that was featured in PAN-O-PLY Story and Art Michiana in the February 2021 edition.  

Have you ever won any other type of writing awards in the past? 

No, I have considered myself an artist for most of my life. It has only been in the last few years that I wanted to learn more about writing. I have only started submitting my writing as a student at IUSB in the last two years. 

What made you want to submit your work? 

It was the encouragement of Dr. Ervick and countless guest authors who came to talk about their work, their writing journey, and the importance of submitting your work. It can be intimidating to send your words out to the world, but brave authors surrounded me, and I decided I could try to submit a few pieces of writing as well.   

Do you have a certain type of style, theme, or tone that your frequently use in your writing? 

I am still growing as a writer and finding my voice, style, theme, and tone. I have tried writing in many genres here at IUSB. Fiction remains close to my heart, along with braided and graphic essays. A pleasant surprise was the influence poetry had on my writing.  

Have you ever gotten any inspiration from other authors? If so what has that author inspired you about? 

My poem, “Pysanky and Pandemics,” was inspired by the work of Ross Gay. I studied his work in a poetry class. I appreciated how he turned ordinary moments into extraordinary acts that took the reader on an emotional ride through history while appreciating the present.  

My graphic essay was a result of studying the work of Susanne Reece, Ariel Aberg-Riger, and Teresa Wong. I appreciated how they were able to weave writing and imagery together in powerful ways.  

What has inspired you in your life to be a writer? 

My children and students have inspired me to become a writer. I am currently working as a literacy interventionist and dyslexia tutor. Many emerging readers do not have access to books with plot complexity and dynamic literary elements at their independent reading levels. Often, books written for emerging readers assume that those readers are young. I wanted to see if it was possible to write a compelling piece of fiction appropriate for an older audience but crafted with easily segmented words. This was the motivation that propelled me to enroll in grad school and study the craft of writing.  

Can you tell us about something you’ve written or are perhaps currently writing? 

I am currently finishing a novel for my final directed writing project. I have written a piece of fiction that spans 40 chapters and over 50,000 words. Fifty thousand words that are three syllables or less!  

Student Writing Awards 2020: An Interview with Mariah Lynn Woolley

Mariah Lynn Wooley studies English at IUSB and won three awards in this year’s Student Writing Awards: First place in undergraduate prose “If, Leviathan” and first and second place in undergraduate poetry for her two poems ” Juxtaposition” and “Truly the Light is Sweet.” Learn more about her in this short interview and join us in congratulating her on her well-earned awards!

INTERVIEWED BY EVA MONHAUT

What does winning these awards mean to you?

Oh that’s a difficult question. I suppose it means that I’m grateful and honored and possibly feel that I don’t deserve such a thing.

Have you had your work published anywhere else before?

I haven’t actually, so this is exciting!

Have you won any other awards for your writing?

Only in 4-H (which is probably the most stereotypical midwesterner thing ever.)

How would you describe your writing? What themes, ideas, and styles do you find recurring throughout your work?

The first thing that comes to mind is contrast. I have a particular obsession with describing things in terms of light and color and contrast. That shows up a lot as references to the sun. I think in all three pieces the sun is a central element, which I hadn’t even realized until answering this question. 

I reference Biblical or Jewish literature a lot as well, or literature from the Christian tradition like Dante. I enjoy the contextual elements of those stories from a literary standpoint—things like redemption and sacrifice, suffering and resolution—but I am a Christian as well, so for me those things represent a broader reality. That’s an important part of my writing—this sense of a suffering and broken world aching for its Paradise Lost, crying out for fulfillment. 

Humor/irony show up a lot too, although that was never intentional. It wasn’t something I ever expected to come out in my work. Apparently I just can’t keep my personality from creeping into my writing (and I’m not sure why I’d want to.)

What are some of your favorite authors? Do you see these authors as influencing your writing?

I tend not to have favorite authors so much as I have favorite books. East of Eden is hands down my favorite novel. Next to that, one of the most influential books I’ve read—for my writing but also for me as a person—is Lilith by George MacDonald. It’s a very strange book but it has this incredible, dark, ethereal quality to it. It’s like reading Poe but if Poe were filtered through the ribbons of light in a gothic window.

If I had to pick authors, I’d say John Steinbeck, Dostoyevsky, Flannery O’Connor, Arthur Miller, and James Thurber. But I’m also a vintage sci-fi nerd (and sometimes write science fiction) so in that vein probably Ray Bradbury, Ursula K. Le Guin, Arthur C. Clark—and actually C.S. Lewis’ Space Trilogy.

A fun fact is that I hadn’t actually read O’Conner until last year. The only reason I read her at all is because people kept comparing my stories to hers. I think it’s interesting that even though I (apparently) write in a similar style I can’t count her as an influence.

Can you talk a little bit about how you got into writing in the first place?

Writing is more the consistent thread which has been woven throughout my life than anything else. I never quite got “into it” so much as it was always naturally in me. 

What is your writing process like?

Oh it’s a scattered mess. I am not in any way linear. I think that’s partly because I don’t ever start out with words. For me everything begins as a picture or a scene, or most of the time a particular feeling. I can’t quite call it an emotion because it’s not. It’s sort of this nebulous synthesis of emotion and color and scene (and often music) that I’m trying to pull together into words. It can be interesting because I have synesthesia—where you experience different ideas as colors or sounds and sometimes certain sounds as colors—and a lot of my writing process is an attempt to capture that. It’s a lot of asking myself odd questions like “What words and images will convey the “blueness” of temporality and loss?” or “How can I make this poem have the same purple quality as the last two movements of Mahler’s 4th Symphony?” In that way I’m often more inspired by film than by literature because film is aimed at creating a story with sound and imagery and color, and that’s what I want to mimic in my writing.

Can you talk about one of your pieces a little; how did this particular piece come about? What was your inspiration?

I think the story If, Leviathan really demonstrates what I’m talking about when I say my writing process is a mess of pulling disjunct ideas into words. I wrote it for David Dodd Lee’s class last year and it’s a pretty bleak story that isn’t the sort of thing I’d normally write by choice. 

The initial plot inspiration came from seeing a house burning down on my way home from class one day. But there are so many elements in that story. At first I was trying to capture the feeling of driving 60 mph down the highway, blasting music, watching someone’s home go up in smoke. Then there was this painting—Pandemonium, by John Martin—that came to mind which I think is itself an illustration of a scene from Paradise Lost. It shows this dark figure at the gates of hell, standing over fiery pools. It’s a beautiful and terrible image and has these great crimson and orange colors. So there was inspiration there. And from that I was trying to capture this looming feeling of dread that you get from movies a lot—like those science fiction movies where you see a glimmer of light hit the corner of a spaceship or see flames belching into the void of space. The story isn’t science fiction but what I wanted to capture was that looming, anticipatory feeling. So you have all these cosmic metaphors comparing things to the sun or space and the opening where I describe “the light at the edge of the world” is a direct attempt to give voice to that.

 But then there’s a contrasting extended metaphor of the characters being cast out into this perilous, unforgiving world like sailors on a stormy sea. And that is echoed in the quote at the beginning which became the inspiration for the title “If the cedars have caught fire, what hope is there for the moss on the wall? If Leviathan has been hauled in, what hope have the minnows?” It was just a happy coincidence that I was working on the story at the same time I was reading a book on Jewish poetry (that particular quote is from the Talmud.) Somehow the story kind of grew around that quote even though I didn’t even think to put it in as an epigraph until long after the story was finished.

Anything else you would like to say or share with us?

I guess I’d just encourage others to submit things to Analecta and other publications and to not be fazed by rejection. That’s common advice but it works. Last year when I submitted to Analecta I didn’t have anything get in, this year three out of four pieces got in and all three won awards.

Announcing the 2020 Student Writing Award Winners

The IUSB English Department is happy to announce the 2020 Student Writing Awards Winners. The winners are selected first through a blind-submissions process where the entries are screened by department faculty members. The faculty choose the entries they see as the strongest and pass them onto a special guest judge who then selects the final winners. This year’s student writing award judge was William Stobb, author of the poetry collection You Are Still Alive (2019, 42 Miles Press). Learn more about Stobb in this full interview with The Deadline.

The winners’ work will be published in Analecta, the student-run creative writing and arts journal. Due to COVID-19 there will be not Student Writing Awards night to honor the students but there are plans to hold a celebratory event in the Fall semester. Until then let us give our virtual congratulations to all of the award winners!

2020 Student Writing Award Winners

Undergraduate Prose

First place:      Mariah Lynn Woolley, “If, Leviathan

Second place: Cassandra Felten, “Milk Cancer”

Undergraduate Poetry

First place:       Mariah Lynn Woolley, “Juxtaposition”

Second place:  Mariah Lynn Woolley, “‘Truly the Light is Sweet…’”

Graduate Prose

First place       Matt Remmo, “Unheard … of”

Graduate Poetry

First place        Tara Holmes, “Instead”

Second place:  Lucas Burkett, “Karpov”

Student Writing Awards: An Interview with Micah Spiece

Here is an interview with Micah Spiece, winner of the Student Writing Awards in Graduate Prose, who talks about his “first foray into creative-ish writing”!

Interview by Gina Massaro

Tell the readers a little bit about you and what you submitted. (An excerpt of his work can be seen in our previous blog post).

I’m a graduate student currently writing my thesis and preparing to graduate this May with my MA in English. I study and write about literature, film, and literary theory. My piece in Analecta was my first foray into creative-ish writing, one I wrote for one of my classes here: it’s a reflective meditation on personal identity in history, location, and time.

What does this award mean to you?

This award was totally shocking to me, because I have never written anything but analytical criticism. It represents to me the fabulous department we share that challenges us to push ourselves and try new things while celebrating our successes along the way.

How do you think this award will affect the things you do after you graduate?

I won’t be afraid to try my hand at different kinds of writing now. It’s so easy to get locked into your own established style or your own comfortable interests and forget that developing requires risk and failure.

Does this award change your perception of how you are doing here at IUSB?

When I submitted this piece, I wasn’t expecting anything to come of it. But now, it feels good to know I’ve changed as an academic and an artist during my time in this department. Again, this department is a wonderfully dynamic place with some amazing faculty.

Do you think that the school recognizes enough students in a year or should it be on a semester basis?

That students are being recognized at all is a great strength that shouldn’t be ignored. Many departments don’t have these kinds of celebrations at all!

Have you submitted to a student publication before?

This is my first time doing any writing that isn’t scholarly criticism.